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Rocking Badrinath inspite of bad reviews
Allu Arjun’s latest film Badrinath opened to bad reviews from most of the critics. However, that didn’t show any impact on the box office performance on the first day. As expected, Badrinath opened to housefuls allover. It has raked in stunning figures in few areas and thus making it one of the biggest openings ever in Tollywood history.
As per Geeta Arts circles, Badrinath first day collections are on par with all time records. And this is easily the biggest opening that Bunny ever had. With so much hype surrounding the film this kind of reception on first day is inevitable. Now we have to wait and see if Badrinath could hold its ground in coming days.
Real test for Badrinath begins from Monday and it has to survive from then on to enter the safe zone. Let’s wait and see if Badrinath has the potential to prove critics and reviews wrong in the coming weeks.
As per Geeta Arts circles, Badrinath first day collections are on par with all time records. And this is easily the biggest opening that Bunny ever had. With so much hype surrounding the film this kind of reception on first day is inevitable. Now we have to wait and see if Badrinath could hold its ground in coming days.
Real test for Badrinath begins from Monday and it has to survive from then on to enter the safe zone. Let’s wait and see if Badrinath has the potential to prove critics and reviews wrong in the coming weeks.
Badrinath collection news
Badrinaath is going to BIGGEST GROSSER of Bunny's career, Terrific openings n response from masses feeling proud
Openings of Badrinaath is going to SWEEP all the records expect MAGADHEERA Mega heroes ki maanchi mass film padithe ILA untai collections
Smashing opening for Badrinaath. Amongst top 3 openings of Telugu cinema. Positive talk all over - AP, Karnataka & Kerala.
Allu Arjun career lone biggest hit Badrinaath, Jatharalani talapistunna theaters
Magadheera stai lo Bhari openings sadistunna Badrinaath INDUSTRY 2nd biggest collections
Karnataka 1st day gross 72 lakhs. All centers, 4 shows housefull. Best opening of the year.
Badrinaath grossed 7.5 crores all over India on Day1, Biggest opening ever for Bunny. 2nd morning shows fulls with heavy returns cheers
Openings of Badrinaath is going to SWEEP all the records expect MAGADHEERA Mega heroes ki maanchi mass film padithe ILA untai collections
Smashing opening for Badrinaath. Amongst top 3 openings of Telugu cinema. Positive talk all over - AP, Karnataka & Kerala.
Allu Arjun career lone biggest hit Badrinaath, Jatharalani talapistunna theaters
Magadheera stai lo Bhari openings sadistunna Badrinaath INDUSTRY 2nd biggest collections
Karnataka 1st day gross 72 lakhs. All centers, 4 shows housefull. Best opening of the year.
Badrinaath grossed 7.5 crores all over India on Day1, Biggest opening ever for Bunny. 2nd morning shows fulls with heavy returns cheers
Badrenath 1st day Collections
Badrinath Collections: Allu Arjun Badrinath movie 1st day collections gives a stunning picture on the release date June 10. Sources say that Badrinarth first day collections were amounted to Rs 7.25 crores in India. This Badrinath 1 day collections is the highest in Allu Arjun's career as predicted. Also, Badrinath first day collections are 2nd highest in terms of Telugu cinema box office collections history.
Critics say that albeit Badrinath 1 day collections might sound incredible the collections would take a dent given the since it's difficult to sustain at the box office. According to reports, Badrinath movie budget is around 40 crores and the movie was released in more than 5600 screens in a single day and all this huge hype made Badnriath first day collections engross Rs 7.25 crores in India. This means Allu Arjun's Badrinath has already collected 20% of the movie. Stay tuned for the detail break up of Badrinath collections.
Nizam 162 lakhs
Ceeded 142 lakhs
Guntur 68 lakhs
West - 30 lakhs
East - 32 lakhs
Nellore - 27 lakhs
Krishna - 48 lakhs
Karnataka 72 lakhs
Vizag - 75 lakhs
Kerala - 65 lakhs
Total India (Gross): 7.21 crores
Critics say that albeit Badrinath 1 day collections might sound incredible the collections would take a dent given the since it's difficult to sustain at the box office. According to reports, Badrinath movie budget is around 40 crores and the movie was released in more than 5600 screens in a single day and all this huge hype made Badnriath first day collections engross Rs 7.25 crores in India. This means Allu Arjun's Badrinath has already collected 20% of the movie. Stay tuned for the detail break up of Badrinath collections.
Nizam 162 lakhs
Ceeded 142 lakhs
Guntur 68 lakhs
West - 30 lakhs
East - 32 lakhs
Nellore - 27 lakhs
Krishna - 48 lakhs
Karnataka 72 lakhs
Vizag - 75 lakhs
Kerala - 65 lakhs
Total India (Gross): 7.21 crores
'Badrinath' Review: Far Better Than Shakti!
Rating: 3.5/5
Banner: Geetha Arts
Cast: Allu Arjun, Tamannah, Prakash Raj, Kelly Dorjee and others
Music: M M Keeravani
Cinematographer: S Ravi Varman
Story: Chinni Krishna
Editor: Gautham Raju
Screenplay, direction: V V Vinayak
Producer: Allu Aravind
Release date: 10/06/2011
Allu Arjun is back and this time he has teamed up with the mass masala movie maker V V Vinayak with a different concept. Let us see how this is.
Story:
The age old ritual of ‘Kshetra Palakudu’ is revived among the Hindu saints and gurus. They approach the veteran Bheeshma Narayana (Prakash Raj) and he decides to mould one child to be the protector of Badrinath.
This is Badri (Allu Arjun) and as fate would have it, he is chosen to be the protector of the Badrinath shrine. The story takes a turn with the arrival of Alakananda (Tamannah) an atheist due to her reasons. Few sequences revive her faith in the god and also trigger love in her for Badri.
However, Bheeshma wants Badri to take over as his successor and the condition is that he must remain a ‘Brahmachari’ for the rest of his life. On the other hand, there is the evil Sarkar (Kelly Dorjee) along with his wife (Ashwini) who want to get Alakananda married to their son so that they can grab her property. What happens after that forms the rest of the story.
Performances:
Allu Arjun looks perfect in physique, riveting in dance performance, apt in emotional scenes. He did his best to do justice but then his character should have been etched with more conviction.
Tamannah is a visual feast and she has given a literal Abhishekam with her milky white oomph factor. Her screen presence is significant and she delivered well during emotional sequences.
Prakash Raj did his bit as required. However, his role was not as powerful as it was hyped. His face was hidden in white beard and hair. Only eyes and nose are visible. Worst make up.
Kelly Dorjee was spineless as a villain, all that hungama about his profile looks hollow. Ashwini (the police cop in Rakta Charitra who gets her revolver licked by Bukka Reddy) is a talented actress but she got stiff in few scenes. Brahmanandam was okay, Krishna Bhagawan gave his regular satires, Dharmavarapu was regular, the lad doing Ashwini’s son’s role was dull. Venu Madhav came and went.
Highlights:
Visual grandeur
Tamannah’s glamour feast
Bunny’s sincere efforts in action and dance
Pace of the film
Drawbacks:
Significant directorial flaws
Weak climax
Non-situational songs
Weak comedy
Average cinematography
Abrupt censoring
Analysis:
The film came in with various publicity stints such as
The costliest film ever made in Tollywood
Allu Arjun’s Indian Samurai role and his training in Vietnam
Chinni Krishna’s statement that this screenplay has never been seen before
Well, coming to the point. There is hardly any impact to say that the film was made at a budget of Rs 40 crores. If that is true then it must be said that the director didn’t utilize it in the right way. Given the buzz about Bunny’s training, the action and fight sequences should have been mind blowing but they were regular Peter Heinz product which we have seen before. As far as screenplay goes, guess Chinni Krishna meant it literally, nothing great about the screenplay. When subjects like Hindu shrines and customs are spoken, basic fundamentals must be followed.
Here is something for Vinayak-
If Allu Arjun is the protector of a holy temple, he should at least have a thilakam on his forehead
Tamannah lights the oil lamps with match sticks. That is unacceptable and grave mistake as per Hindu tradition. The custom requires it to be lit with incense sticks and not match sticks.
In the ‘Vasudhara’ scene, there is a temple deity and everyone is walking coolly with slippers, shoes, long boots etc
Allu Arjun gets upanayanam performed by Prakash Raj and he also drops a ‘jandhyam’ on his body. But that ‘jandhyam’ is never seen again in the film. Is that the value Allu Arjun’s character gives for religion and piousness?!
In the last fight, Allu Arjun jumps out from temple barefoot but by the time he lands at villains he has shoes.
If Brad Pitt kills the opponent by piercing a sword on the shoulder in ‘Troy’, our Allu Arjun pierces and kills merely with two fingers. Why is this silly copying?
If Ram Charan killed 100 soldiers in ‘Magadheera’, our Bunny killed 100+ here with no emotion packed. What’s this comparison?
That way, Vinayak has missed attention to detail and conviction in many scenes. The first half goes about in a mild manner and he shows his mettle before the interval bang with the idol fight. However, things gets a little quirky during the second half and it gets very predictable. Overall, the film will work strongly in the opening day due to Allu Arjun and Tamannah following along with the publicity hype but to be frank, the film has nothing extraordinary to be spoken about.
Bottomline: Nothing Much exciting compare to Magadheera
REVIEW BY - "RAHUL PULI"
Banner: Geetha Arts
Cast: Allu Arjun, Tamannah, Prakash Raj, Kelly Dorjee and others
Music: M M Keeravani
Cinematographer: S Ravi Varman
Story: Chinni Krishna
Editor: Gautham Raju
Screenplay, direction: V V Vinayak
Producer: Allu Aravind
Release date: 10/06/2011
Allu Arjun is back and this time he has teamed up with the mass masala movie maker V V Vinayak with a different concept. Let us see how this is.
Story:
The age old ritual of ‘Kshetra Palakudu’ is revived among the Hindu saints and gurus. They approach the veteran Bheeshma Narayana (Prakash Raj) and he decides to mould one child to be the protector of Badrinath.
This is Badri (Allu Arjun) and as fate would have it, he is chosen to be the protector of the Badrinath shrine. The story takes a turn with the arrival of Alakananda (Tamannah) an atheist due to her reasons. Few sequences revive her faith in the god and also trigger love in her for Badri.
However, Bheeshma wants Badri to take over as his successor and the condition is that he must remain a ‘Brahmachari’ for the rest of his life. On the other hand, there is the evil Sarkar (Kelly Dorjee) along with his wife (Ashwini) who want to get Alakananda married to their son so that they can grab her property. What happens after that forms the rest of the story.
Performances:
Allu Arjun looks perfect in physique, riveting in dance performance, apt in emotional scenes. He did his best to do justice but then his character should have been etched with more conviction.
Tamannah is a visual feast and she has given a literal Abhishekam with her milky white oomph factor. Her screen presence is significant and she delivered well during emotional sequences.
Prakash Raj did his bit as required. However, his role was not as powerful as it was hyped. His face was hidden in white beard and hair. Only eyes and nose are visible. Worst make up.
Kelly Dorjee was spineless as a villain, all that hungama about his profile looks hollow. Ashwini (the police cop in Rakta Charitra who gets her revolver licked by Bukka Reddy) is a talented actress but she got stiff in few scenes. Brahmanandam was okay, Krishna Bhagawan gave his regular satires, Dharmavarapu was regular, the lad doing Ashwini’s son’s role was dull. Venu Madhav came and went.
Highlights:
Visual grandeur
Tamannah’s glamour feast
Bunny’s sincere efforts in action and dance
Pace of the film
Drawbacks:
Significant directorial flaws
Weak climax
Non-situational songs
Weak comedy
Average cinematography
Abrupt censoring
Analysis:
The film came in with various publicity stints such as
The costliest film ever made in Tollywood
Allu Arjun’s Indian Samurai role and his training in Vietnam
Chinni Krishna’s statement that this screenplay has never been seen before
Well, coming to the point. There is hardly any impact to say that the film was made at a budget of Rs 40 crores. If that is true then it must be said that the director didn’t utilize it in the right way. Given the buzz about Bunny’s training, the action and fight sequences should have been mind blowing but they were regular Peter Heinz product which we have seen before. As far as screenplay goes, guess Chinni Krishna meant it literally, nothing great about the screenplay. When subjects like Hindu shrines and customs are spoken, basic fundamentals must be followed.
Here is something for Vinayak-
If Allu Arjun is the protector of a holy temple, he should at least have a thilakam on his forehead
Tamannah lights the oil lamps with match sticks. That is unacceptable and grave mistake as per Hindu tradition. The custom requires it to be lit with incense sticks and not match sticks.
In the ‘Vasudhara’ scene, there is a temple deity and everyone is walking coolly with slippers, shoes, long boots etc
Allu Arjun gets upanayanam performed by Prakash Raj and he also drops a ‘jandhyam’ on his body. But that ‘jandhyam’ is never seen again in the film. Is that the value Allu Arjun’s character gives for religion and piousness?!
In the last fight, Allu Arjun jumps out from temple barefoot but by the time he lands at villains he has shoes.
If Brad Pitt kills the opponent by piercing a sword on the shoulder in ‘Troy’, our Allu Arjun pierces and kills merely with two fingers. Why is this silly copying?
If Ram Charan killed 100 soldiers in ‘Magadheera’, our Bunny killed 100+ here with no emotion packed. What’s this comparison?
That way, Vinayak has missed attention to detail and conviction in many scenes. The first half goes about in a mild manner and he shows his mettle before the interval bang with the idol fight. However, things gets a little quirky during the second half and it gets very predictable. Overall, the film will work strongly in the opening day due to Allu Arjun and Tamannah following along with the publicity hype but to be frank, the film has nothing extraordinary to be spoken about.
Bottomline: Nothing Much exciting compare to Magadheera
REVIEW BY - "RAHUL PULI"
Two Heroines Insulted Venkatesh Shockingly
There was a time when the film nagar used to say “No one says no to the Big 4” but lately, it appears that the slogan has changed to ‘Everyone says no to Big 4’. This is in reference to the heroines who are showing reluctance to pair up with the likes of Venkatesh, Balakrishna etc.
Now, it is heard that another starlet has joined the list. She is Nithya Menon and recently she was sharing her thoughts. Apparently, a project was on with Venkatesh and Trivikram Srinivas. Nitya Menon was proposed to be heroine who got dropped at the last minute.
Nithya reportedly revealed that she was given the offer but she declined it because she didn’t want to pair up with a super senior hero. She maintained that she is comfortable with her age group. While she can be appreciated for her upfront nature, this has taken many by surprise. Few cine folks state that this could lead to Nithya losing out on opportunities.
They recall an instance when Genelia did the same after Venkatesh's ‘Subhash Chandra Bose’ and quoted she will not act with senior heroes. From then on, her offers reduced. Wonder what is in store for Nithya now.
Now, it is heard that another starlet has joined the list. She is Nithya Menon and recently she was sharing her thoughts. Apparently, a project was on with Venkatesh and Trivikram Srinivas. Nitya Menon was proposed to be heroine who got dropped at the last minute.
Nithya reportedly revealed that she was given the offer but she declined it because she didn’t want to pair up with a super senior hero. She maintained that she is comfortable with her age group. While she can be appreciated for her upfront nature, this has taken many by surprise. Few cine folks state that this could lead to Nithya losing out on opportunities.
They recall an instance when Genelia did the same after Venkatesh's ‘Subhash Chandra Bose’ and quoted she will not act with senior heroes. From then on, her offers reduced. Wonder what is in store for Nithya now.
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