Dum maro Dum- Only on Drugs REVIEW BY "RAHUL PULI"


Rating: 3/5
Banners: Ramesh Sippy Entertainment, Fox Star Studios
Cast: Abhishek Bachchan, Aditya Pancholi, Bipasha Basu, Rana Daggubati
Music: Pritam Chakraborty
Cinematography: Amit Roy
Director: Rohan Sippy
Producer: Ramesh Sippy
Release Date: April 22, 2011

While Abhishek Bachchan is taking his litmus test owing to his string of flops, it is also the debut of our Daggubati Rana in Bollywood. Let us see how much ‘Dum’ the film has got

Story:
Set on the backdrop of Goa, the story is about how drugs have taken over the paradise city and the increased presence of drug mafia.

Here comes ACP Vishnu Kamath (Abhishek) who decides to clean up the place. On the other hand, there is the social celebrity Lorsa Biscuita (Aditya Pancholi) who in the garb of social service runs a big drug cartel.

Caught in between the clash of Vishnu and Biscuit is DJ Joki (Rana) whose girlfriend Zoe (Bipasha) now stays with Biscuit, Lorie (Prateik) who aspires to go abroad and study but gets caught taking drugs. The search is on for one Michael Barbossa, the kingpin of this drug ring. Who is Michael Barbossa? What happens to everyone’s life forms the rest of the story.

Performances:
Abhishek Bachchan has come up with a strict performance and though there are those blank expressions, he makes his presence felt.

Daggubati Rana can be called the hero of the film. His screen time is longer than Abhishek, he has a significant role in the entire story and he gets to have the hot Bipasha. Performance wise, his stiff expressions still carry. He is yet to get that versatility of expressions on his face. Otherwise, his screen presence is good. He may get another chance on Bollywood screen for his great looks.

Bipasha Basu is seductive as usual and she does her bit as required.

Aditya Pancholi was handsome as usual and though his presence as the baddie doesn’t give that impact, he has given a sincere performance.

Prateik Babbar was apt, Govind Namdeo was great, Gantois Gomes was neat, Anaitha Nair was sweet. Deepika Padukone’s item song was not up to the hype. Vidya Balan’s cameo was brief but graceful.

Highlights:

* Abishek Bachan
* Cinematography
* Dialogues
* First half
* Scene compositions

Drawbacks:

* Dragged second half
* No impacting scenes
* No character has significance

Analysis:
The basic plot of the film reminds us of the exceptional thriller ‘Usual Suspects’. However, the makers were clever in switching the characters here and there, changing the script with additional characters.

On the good side, the film was stylish, glossy and attempts to give some reality bites of Goa. On the flip side, the film passes off without any gripping moments or sequences that can strike a chord with the hearts of the audience.

Editing was much needed during the second half and if the film was trimmed there, it would have created good impact. But still, the attempt was novel, the essence was appreciable, the presentation was effective. At the box office, this will appeal to the multiplex audience so if word of mouth publicity goes strong, it can reach profit zone.

Bottomline: SUPERB MOVIE

'Mr Perfect'-Konchem Defect REVIEW BY "RAHUL PULI"



Rating: 2.5/5
Banner: Sri Venkateshwara Creations
Cast: Prabhas, Kajal, Taapsee, K Vishwanath, Prakashraj, Sayaji Shinde, Nasser, Murali Mohan, Brahmanandam, Raghu Babu, Master Bharat etc
Music: Devisri Prasad
Cinematography: Vijay K Chakravarthy
Editing: Marthand K Venkatesh
Director: Dasaradh
Producer: Dil Raju
Release date: 22/04/2011

Prabhas is back and after almost a year. He paired up with Kajal and it is also a crucial big budget venture for producer Dil Raju. Let us see how perfect this gets..

Story
Vicky (Prabhas) who lives in Australia grows with a rule that he would never compromise for anything he doesn’t like. Given his practical thinking, he wants everything to be perfect, even in relationships. The marriage of his sister gets him to India and here he meets Priya, daughter of his father’s friend (Murali Mohan). As such, Vicky’s father (Nasser) wants him to get married to Priya.

Initially, both Vicky and Priya feel repulsive but in no time, Priya starts falling in love. She begins to change herself to suit Vicky’s life and thoughts. However, when the moment comes, Vicky gives his practical outlook and returns to Australia.

Here, he meets Maggi (Taapsee) through a competition and feels she is the perfect one. How perfect is Maggi for Vicky? How true is Priya’s love for Vicky? How correct is Vicky in his thoughts? All this forms the rest of the story.

Performances
Prabhas has given a decent performance. He scores in his outfits and timing of dialogues but he should have reduced the mannerism of keeping his hand in pant pocket in almost all scenes, might look like fashion and style but felt like an overdose.

Kajal Agarwal is expressively beautiful and is drop dead gorgeous in sarees. She is a visual treat to the audience and steals few more hearts with her endearing smiles. Performance wise, she was apt.

Taapsee looks hot and fits the bill rightly given her character. The dubbing suited her expressions and she fills the glamour quotient.

K Vishwanath was elegant, Prakashraj was matured, Sayaji Shinde was noisy, Nasser was natural, Brahmi tried to bring few smiles, Raghu Babu was jarring, Master Bharat was regular. The ladies did their bit to support.

Highlights

* Prabhas- Kajal screen chemistry
* Locations and cinematography
* Costumes
* Theme of the film
* Screenplay

Drawbacks

* Second half
* Weak emotional scenes
* Overdose of moral preaching

Analysis:
The film comes across as a clean, family entertainer and the intention of the makers must be appreciated. Their attempt to reiterate the values of love, life, relationships in today’s world is acknowledged. However, dealing with such human subjects requires humane feel and a deft handling of the script, that was missing here.

As such, the protagonist goes with the flow of destiny but there is nothing significant he does to perfect the situations. He is more on the receiving end most of the time. On the other hand, the idea of a girl willing to adapt herself like that was rather unconvincing (of course, finding a girl like that in today’s times is jackpot fortune).

First half comprises with good humor and flow of drama. And second half also continues in similar fashion recalling the blend of Santhosham and Bommarillu but with weak handling of emotions. Required emotion is not carried in the fag end of the film and hence it appeared weak.

The film deals with the understanding of relations between younger generation and the older ones. The plus point in the film is that all the songs are good with pleasing music and sensible lyrics. But all are situational songs and no duets are seen in this genre of film, surprisingly.

Having said that, the film appeals largely due to the conviction in the belief of love, sharing and how few things in life cannot be got merely by rational thinking. At the box office, this is a treat for the family audience and given the craze for Prabhas and Kajal, the openings will be strong. Overall, this would be anywhere between an average and profit grosser.

Bottomline:Only For family audience.

Review By Rahul Puli

Chiranjeevi enters into movies for Ramcharan




Megastar Chiranjeevi is busy with campaigning in Kadapa but he will be making time soon for movies.
Infact he hasn’t dedicated complete time for movies ever since Shankar Dada Zindabad released almost 4 years back.
His only appearance on screen after that was in Magadheera for one scene.
Since last year, he has been listening to stories for his 150th movie whenever he found time from prajarajyam party acitivites.
Now that his party is merged into congress, chiru is planning to involve himself in all departments of Ramcharan’s next project Rachcha, to make sure that it would be a definite hit.
Industry folks who have seen chiru’s involvement for his own movies like Indra, Tagore and then Chirutha say that , if he puts his heart into work, the movie will surely turn into a blockbuster hit.

Charan is still in miami, but his dad is preparing grounds for him to come and start his fourth movie without any hurdle.
Due to strike by few departments in industry, muhurtham of RACHCHA is postponed to may 2011.

Teenmaar collects 30 crores in first week



Pawan Kalyan rocks the box office again with his Teenmaar movie.
It opened in record number of theatres with maximum number of screenings on day one and already was into profit by end of first weekend.
Now, latest news is that the movie collected more than 30 crores in its first week run.

Teenmaar Collections in first week :

First Day Collections (Thursday): 9.4Crores(World Wide)

Second Day Collections (Friday): 4.8 Crores(World Wide)

Third Day Collections (Saturday): 5.2Crores(World Wide)

Fourth Day Collections (Sunday): 4.1Crores(World Wide)

Fifth Day Collections (Monday): 3.1Crores(World Wide)

Sixth Day Collections (Tuesday): 3.1Crores(World Wide)

Seventh Day Collections (Wednesday): 2.1Crores(World Wide)

Total First Week Collections : 30.1 Crores(World Wide)

Chiguru Boniya' unseen visuals - Teenmaar





MR.BEAN